Kindness teaches strange forms of faith: trust in echoes, in memory, in the honesty of space. Most days, that trust carries me well.
And perhaps that is not the worst mistake—to offer kindness first.
Short written and visual reflections.
Kindness teaches strange forms of faith: trust in echoes, in memory, in the honesty of space. Most days, that trust carries me well.
And perhaps that is not the worst mistake—to offer kindness first.
I spent my youngest years moving between countries that knew how to hold difference without naming it. In Turkey and England, I fit easily. With the Turks, with the Brits, there was room for oddness, for proximity, for ways of being that didn’t require explanation. In Germany, people were more reserved, more formal, but still legible to me. Difference existed there as a fact, not a problem.
Then my family uprooted us to a farm in the middle of nowhere, Illinois. The bus ride to school took forty-five minutes. Cornfields pressed in on both sides of the road, and the quiet carried a weight I didn’t yet know how to name. After one summer, we moved again—to O’Fallon—but the lesson held. Belonging here required translation. You learned quickly who was readable and who would always be asked to clarify themselves.
I left the Midwest the way people leave rooms they’ve learned to survive in—without slamming the door. I told myself California would be lighter. That the air would ask less of my body. I imagined a place where the work of being legible might finally ease. I didn’t know yet that geography doesn’t change the speed at which the world comes at you, or how quickly you’re expected to respond.
People talk about leaving the Midwest like it’s an escape. What they usually mean is relief. I left because I was tired of being interpreted. In California, I learned a different fluency—how to pass as relaxed, how to perform ease, how to let tolerance masquerade as belonging.
I broke my collarbone the week before I was supposed to leave. Unable to drive, I let my best friend’s mother take me west. It felt fitting, arriving already injured, dependent, hopeful anyway.
When I got there, I found people who moved differently through the world. I learned which parts of my childhood to flatten when people asked where I was from. After a year, I moved north to the Bay Area. In San Francisco, I made a home. I learned the choreography of a city that prides itself on openness while quietly measuring how much difference it will accommodate.
At two in the morning, outside a warehouse party, people in thrift-store tuxedos and glitter-streaked faces shared cigarettes on the curb as if they had known one another for years. They were inventing themselves in public. I understood that instinct immediately: strange, theatrical, self-inventing people making a temporary country out of one another.
Then I had to come back. Jobs, money, gravity.
When I returned to the Midwest, I learned how to look like I belonged. I wore a uniform. I spoke in complete sentences. I learned the language of authority. Authority made me legible; it did not make me safe. It did not lessen the work. It only changed the terms under which I was allowed to exist.
I used to think understanding required order. That if I could place the countries, the moves, the injuries, the returns in the right sequence, the story would explain itself. But order is not always linear. Sometimes memory moves by pressure: a cornfield, a bus ride, a broken collarbone, a uniform. One image opens onto another. One place teaches you the language for the next.
I no longer believe there is a place that will save you. I believe there are places that demand less translation—and places that demand more. I carry that knowledge now, wherever I go. Not as bitterness. As orientation.




For a moment, the world felt
rehearsed
and I forgave it
for needing practice.
Nothing remembers,
yet everything knows
rising wind
gunmetal sky
open shelter
pond under pines
needles float
hawk swoops through
and rain begins
dim glisten one sound
I bring my book to her and read aloud. Like Rilke, she tells me not to be afraid to look deeply into everything, not even pain. I can tell her—my friend—that I want to belong, that it hurts to live always on the outside. She tells me there are many ways to belong in this world, and that it is my work to discover where I belong.
At night, when everyone is silent and everything is still, I lie in the darkness of my windowless room, the place where they exile me from the community of their heart, and search the unmoving blackness to see if I can find my way home. I tell myself stories, write poems, record my dreams. In my journal I write: I belong in this place of words. This is my home. This dark, bone-black inner cave where I am making a world for myself.