Apostle of the Creek

Tell me—what makes a good apostle?

a god’s breath sighs
over the roof of your house
on a stormed-in night.

i heard god is the one
who pricks you with blackberry thorns
when you are out gathering.
the creek behind your grandfather’s house
runs full.
you are barefoot,
armed with a basket.

you reach, bleed,
eat greedily.
you taste blood and blackberry.
the berries stain your mouth.

i’ve heard god speaks quietly
because he does not want
to startle the deer.
his voice is lush, soft,
folded into the sound of the creek
as you fill your basket.

he is in the red beads
at the tips of your fingers.
when you eat, he slips
down your gullet and lies still,
murmuring at the back of your throat
as if to speak through your mouth—
but shy, shy—

i’ve seen god in the arch of your foot
stretching across a rock.
i’ve seen him in your desperate faith
when you leap
from bank to stone.

he watches you
like a fox hunting a rabbit.
a yearning, childless woman.
an oak straining under a vine.
he tastes your blood with you.

tell me—
how do you worship
without a name?

Perhaps the deepest
and most basic feeling
is being lost.

Other people
follow the usual paths.
Even when they are lost
they move forward
along routes
already laid.

From childhood
I believed
I should be someone
capable of walking
those socially muscular lanes.

I never quite became
that person.

Resisting this
brings shame.
Powerlessness.

Partial solutions—
distractions,
temporary comforts
that soothe
without orienting.

The cure
lies in what was once forbidden:

permission
to feel
fully.

Without restraint.
Without interference.

What calls us to feel
also calls us
to think.

Small Town Films

Where nothing happens, and it changes everything.
The middle of nowhere, center of my life.
Small town, long memory.

We stayed because the light did.
Gas station neon holding back the dark,
streetlights doing their best with what’s left.
One stoplight and a thousand almosts.

Everyone knows your name, not your story.
Quiet houses, loud memories.
We grew up circling the same four blocks;
the streets remember who we tried to be.

This is what forever looked like when we were kids,
practicing leaving on roads that looped back.
Every back road a half-finished sentence,
the sign always saying NOW LEAVING
the place you never really leave.

There’s always one porch light on, just in case.
Population: anyone still believing in second chances.
The wind knows every empty lot by name,
one barking dog guarding the whole universe.

We outgrew the town, not the ache.
Long roads, short futures, soft hearts.
A slow town, never a still heart.