One Still Word

Winter came early to the valley’s throat;
Frost carved its scripture where the deer lay cold.
Aldren went down through reed and rimed stone
And felt Time’s clean blade set to the bone.

Beneath root and drift a small life shook—
So slight the world would pass and never look.
A field-mouse, drenched; its breath a thinning thread;
Ice starred its whiskers; blood ran thinly red.

He remembered fire that would not obey,
The proud blaze straining to unhouse the day.
He would not summon dragons into air;
He chose a heat too low for grand despair.

He cupped the creature in his steady hand
And bent, as one who seeks to understand.
No flare. No roar. No banner of the flame—
Only a coal that would not speak its name.

The warmth lay hidden. It did not rise.
It moved like truth beneath closed eyes.
The tremor stilled; the buried pulse grew sure;
Life answered life—and chose again endure.

Something altered in the bitten air.
The cold withdrew, as if it knew a Face.
Fear came—no footfall, yet a weight profound—
A mountain listening through the ground.

The mouse looked up. Within that open gaze
Moved morning older than his days.
No wing was seen—yet all the valley hushed,
As first light through the buried root had rushed.

He bowed. No speech could bear what burned within—
A banked, unboastful flame beneath the skin.
Not terror. Not command. But Presence near—
A mercy sovereign over fear.

The creature slipped into the whitening field;
No track remained; the drifting snow resealed.
Only cedar hush upon the breath,
And Aldren loosed from bargaining with death.

He turned toward Keep, road-worn and thin,
And asked to stand for trial again.
The elders watched. The Veiled One said:

“The first trial widens—silent, vast.
It walked beside thee, though unseen it passed.
When thou didst kneel to warm the least of breath,
Thou broke the claim of Fear and Death.

The hidden Art is kept in patient Breath;
One Still Word bars the gate of Death.”

Apostle of the Creek

Tell me—what makes a good apostle?

a god’s breath sighs
over the roof of your house
on a stormed-in night.

i heard god is the one
who pricks you with blackberry thorns
when you are out gathering.
the creek behind your grandfather’s house
runs full.
you are barefoot,
armed with a basket.

you reach, bleed,
eat greedily.
you taste blood and blackberry.
the berries stain your mouth.

i’ve heard god speaks quietly
because he does not want
to startle the deer.
his voice is lush, soft,
folded into the sound of the creek
as you fill your basket.

he is in the red beads
at the tips of your fingers.
when you eat, he slips
down your gullet and lies still,
murmuring at the back of your throat
as if to speak through your mouth—
but shy, shy—

i’ve seen god in the arch of your foot
stretching across a rock.
i’ve seen him in your desperate faith
when you leap
from bank to stone.

he watches you
like a fox hunting a rabbit.
a yearning, childless woman.
an oak straining under a vine.
he tastes your blood with you.

tell me—
how do you worship
without a name?

A Candle for Ambiance

They won’t admit it,
but some people watch the dying
like they’re afraid they might learn something.
As if death might notice them noticing
and turn its face.

Curtains breathe apart.
The flick of a lighter,
a kettle’s shriek,
a phone buzzing with quiet verdicts.

“Ambulance again.”
“He’s outside.”
“Still no movement.”

The grief is tidy at this distance.
Contained.
No blood.
No sound.
No scent.
Only flashing lights

and the shoulder of a woman
who doesn’t wipe her eyes.

Down the street, someone stirs onions.
Steam fogs a window.
Someone lights a candle
and pretends it’s for ambiance,
an apology for not knocking.

We’ve forgotten how to enter mourning
without needing an invitation.
We’ve made grief a spectator sport —
a flickering feed,
a casserole dropped at the door.

But still —
still someone watches,
and someone cooks,
and someone texts,
and someone doesn’t know what to say,
so they say nothing,
and let the pot boil instead.

Because when death comes
and you weren’t the one beside it,
you still want the dying to know —
I saw you.
Even if only
through the window.

At Dusk, Everything Looks Blue

First Darkness

In the eastern sky,
the first star is out.
A single bone, white
and sharp, socketed.

At dusk, everything looks blue.

The world bleeds warmth,
the cool colour of a vein
beneath skin.

Blue,
a bruise that remembers pain.
The horizon swallows its fire,
draws itself inside out,

like a map of your skin,
the only territory that matters.

Call west,
where copper ember drowns.
Call south,
where roots grow dense in soil.
North,
where tightening cold locks earth in silence.
East.

Call light back into your eyes
before this star is joined by its legion,
an ossuary of ancient fire,
a cold promise
marker of what is gone.

Do it now.
Gather the last light like a thief.
Strike a match in the cave of your chest.
Let it catch.

For this is first darkness.
It waits, patient as stone,
to see if you will be its pupil,
or its kindling.

The Lamp and Ashes IV

I no longer ask for flattery.
I do not ask for ease.
Only remain—
keep your clear gaze
on the patterned floor of my days,
on the breath that rises and falls,
on the narrow hinge where I decide.

Set your eye in the flame,
not to burn, but to reveal.
Draw your circle round my hunger
until wildness learns its key,
until want inclines to ought,
until base metal remembers light.

And when I fall—
for dust obeys its law—
grant me the plain strength to stand and sweep,
to strike the line true;
to lift the bent, shelter the battered,
restore the lost to their own face;
to guard the small with law,
to choose the quiet good over noise,
to set one small flame against the dark.

This is enchantment stripped of spectacle:
not a word flung once into air,
but a life spoken in rooms of habit,
a vow kept among dust and dishes,
a green blade through ash—
The brighter the lamp, the clearer the dust.
So I sweep, and let the lamp judge.

The Lamp and Ashes III

O light, you were no ornament.
You were the straightedge laid against my testimony,
the surveyor’s chain drawn tight around desire,
the plumb dropped through my ribs
to hear what truth survived the speech of virtue.
You examined without anger—
as a judge weighs a witness,
as the sea tests a harbour wall.

Then I feared you—
not like thunder in the hills,
but like the first question under oath.
You uncovered the quiet frauds
filed in the docket of habit:
the courteous lie, the mercy postponed,
the sweet intoxication of being right.
My will, that bright defendant, raged and struck.

And in the inward stillness
a word lifted like smoke from hidden coals—
thelema, the hard name of will—
and with it the statute written in stars:
not licence, but allegiance—
Love is the law, love under will.
The brighter the lamp, the clearer the dust.

The Lamp and Ashes II

Then the work began—
not in the hands, but in the inward grain.
I had thought myself a temple already—
finished, worthy, roofed in gold.
But you showed me roughness—
nothing monstrous, nothing grand—
only the common jut of self,
where pride snags the cloth and splits it.

So I struck at what was needless—
not in fury, but in measure:
a steady knocking in the dark,
a small gavel in the marrow
that would not grant despair its throne.
Each blow raised a quiet cloud—
motes wheeling like planets in your beam—
and I learned the hard arithmetic:
what falls away is often what I cherished.

You were an alchemist’s fire, O light.
Under your heat the leaden habits loosened,
old weights ran thin as metal in a crucible—
blackened first, then paling—
for the soul must pass through soot and salt
before it bears the blush of gold.
Still the air held drifting witness.
The brighter the lamp, the clearer the dust.