The buildings remind me of splayed fingers.
Evening seeps between them,
staining the asphalt, though much of it
still tries to rise — coral blushing peach,
cooling to lavender, then smoke,
a haloed dome above,
then nothing,
or the illusion of nothing:
our minds supplying
the celestial forms
we remember seeing at night.
And with night,
low-pressure sodium vapor
arrests the compound eye.
Wing scales blur
the distance between street and lamp,
straining toward what
will never turn back:
Apollo toward Daphne,
Sköll toward the sun,
Hati toward the moon —
hungry.


